So, I was browsing The Coveteur earlier this week and came across Alana Zimmer’s profile. I met Alana this year at a party and we had a really nice conversation. At the end of this conversation, she gave me a hug. I was happily stunned and I’ve been a fan girl ever since. I’m looking at photos of Alana’s great New York City apartment and her clothing. There are two photos of her in a leather skirt that automatically catch my eye. Can you guess what got me excited?
If you are a long time reader you probably guessed the full leather skirt and you’d be absolutely right. I was drooling over this thing. All the standard questions ran through my head. Who is the designer? Is it real leather? Is it still available and the dreaded how much is this going to cost? Then I remembered that The Coveteur has shopping links and the skirt was clickable.
Turns out, the skirt is from Valentino. It’s made from lambskin leather, in an A line cut and I’m in love. The only problem is the crazy price tag! 5700 Dollars!!!!! I don’t know what I was expecting; Valentino has always been very, very pricey. So the hunt is on for a vintage equivalent or something cheaper!
For those of you that can part with about 6500 bucks you can find the Valentino Long Leather Flare Skirt at Bergdorf Goodman and Nordstrom.
It’s funny that I was never really into Valentino that much when Valentino Garavani was at the helm. Sure, I respected the designer and his work but never drooled over it. However, the new designers Maria Grazia Chiuri and Pierpaolo Piccioli are releasing season after season of incredible design. Pre-Fall 2014 is incredible with stunning prints and animal motifs.
I get to see the Valentino doc at TIFF. This is gonna be so amazing.
Valentino: The Last Emperor
Language: English, Italian, French
Runtime: 96 minutes
Production Company: Acolyte Films
Executive Producer: Carter Burden
Producer: Matt Kapp
Cinematographer: Tom Hurwitz
Editor: Bob Eisenhardt
Sound: Peter Miller
Principal Cast: Valentino Garavani, Giancarlo Giammetti
International Sales Agent: UTA/Submarine Entertainment
He stands vindicated as one of the great arbiters of twentieth-century design. His forty-five-year career spans the dizzying innovations and financial explosion of post-war global fashion, from his start in the French ateliers where he studied, through the meteoric rise of his line in the sixties, when Italian fashion houses came to dominate the international marketplace, and on to today, as he departs, elegant as ever. A master technician, Valentino never forgot to keep women and men beautiful in his clothes. He works free from the waves and trends of the fashion world, adhering to a more Orphic, timeless relationship between fabric, body and form. He also, not incidentally, created an entirely new interpretation of the colour red.
This documentary, spanning the period between Valentino’s seventieth birthday and his final couture show, is of course concerned with showing his contributions to his field. But the film actually aims not for the head, but the heart. At the centre is a love story: the fifty-year relationship between Valentino Clemente Ludovico Garavani and Giancarlo Giammetti, his business partner, lover, best friend and confidante. Older gay European couples are not exactly known for their tell-all personalities, so this careful lifting of the veil gives us a sense of the unusual strength and courage these remarkable men needed to navigate the brutal world of egos and high finance â€“ and to do so together. Their moments onscreen are touching, joyous and heartbreaking. Their five dogs (all pugs! chic!) are a constant delight.
This emotionally rich backbone contextualizes Valentino’s relationship with fame. There is no shortage of high-wattage celebrities floating through the film. It has ever been thus with him; Jackie O. herself married Onassis in a Valentino gown. But the filmmakers are careful to note that the glitterati deal with Valentino as an artist and as part of a relationship. It renders their crazy world â€“ his house in the United Kingdom and its staff are not to be believed â€“ that much more human and intimate.
It is perhaps such a balance that makes Valentino’s couture so treasured. His pieces are objects of glamour, to be sure, yet possess an attention to detail and delicacy that speaks to a gentle, loving soul behind the scenes.