Latest Posts

The easiest way to my heart is through a Hermes Scarf

I posted about my lust for Hermes scarves way, way back in 2006 and I’ve decided to revisit that. The Fall Winter 2008 – 2009 collection is influenced by India and there are lot of elephant motives everywhere. My Mom would be dying, she loves elephants.

I’ve reposted the history of the Hermes scarf and some facts. It takes 2 years and 250 silk cocoons to make a 90 centimeter square scarf. The details are behind the cut if you are interested.
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Protecting your heels from the rain.

I usually wear my Wellys and carry my shoes in a bag when it rains. For those that shun the wonderful Welly this item called the Shuella, the shoe umbrella, looks interesting. It’s like galoshes for heels. It covers your heels so to protect them from the rain. I haven’t seen any pictures of how your foot fits into these yet, so I have my doubts. Honestly, the Wellys are cuter.

They are available online for $49.95USD.

via Notcouture.com

image: shuella.com

Fashion Show Videos Spring 2009

Yves Saint Laurent Spring 2009

Very pretty and wearable collection, however it didn’t grab me like Fall Winter 2008.

Proenza Schouler Spring 2009

Didn’t change my mind about the collection too much, but props for using Skinny Puppy

Alexander Wang Spring 2009

Everyone was peeing themselves over this collection in NYC

Christian Dior Spring 2009

Alessandro Dell’Acqua Spring 2009

I didn’t do a dedicated post to this collection but I quite liked it.

Gianfranco Ferre Spring 2009

Very luxurious clothing, as always.

Viktor & Rolf Spring 2009

I include this only because the presentation is great. I really like the side views. The clothing on the other hand….

These Viktor & Rolf dolls are kinda creepy

Viktor & Rolf had an exhibit called The House of Viktor & Rolf at the Barbican Art Gallery, London from June 18 – September 21, 2008

The exhibition will chart their career within the context of a specially commissioned installation by Viktor & Rolf. Dominating both floors of the Gallery, this spectacular installation will be kept under wraps until the opening day. The House of Viktor & Rolf will present all the signature pieces and key moments in their career from 1992 to now. Highlights include Haute Couture pieces from Atomic Bomb, 1998–99, featuring dramatic mushroom cloud-like cushioned necklines and Russian Doll, 1999–2000, in which a single model was painstakingly dressed by the designers themselves in front of a catwalk audience in 10 independent layers, in an experience reminiscent of performance art. In the boudoir-themed show Bedtime Story, 2005–06, the dreamy atmosphere was created by garments abundant with broderie Anglaise, quilting and ruffles.

The exhibition includes pieces from Launch, their ‘dreams in miniature’ collection of October 1996. At the start of their career, and not yet discovered, Viktor & Rolf created a miniature installation that represented all their ambitions: catwalk show with dolls; a fashion shoot; a shop with glass windows and even the launch of a fake perfume with an ad campaign and press release.

You can see video of the exhibit here.

There is a great blog post at If It’s Hip, It’s Here: Viktor & Rolf’s Barbican Exhibit With Side By Side Comparisons of the Dolls & Fashions With The Runway Models. There is a side by side comparison of the dolls to the runway looks that is pretty interesting.

via Notcouture.com

image: ifitshipitshere.blogspot.com

What does Barbara think. Spring 2009 edition

Barbara Atkin, vice president of fashion, Holt Renfrew has been mentioned in the Buyers Report for Spring 2009 on WWD. Let’s see what she has to say

On New York:

Barbara Atkin, vice president and fashion director of Holt Renfrew, agreed. “We’re all examining and stepping back,” she said. “When there’s economic instability, people question their purchasing.

“This is a time when we’re really looking at the new guard of designers,” said Atkin, noting some iconic American design houses are floundering without their namesake designers at the helm. “There’s a lot of confusion at Bill Blass and the problem with Halston is, what does it mean anymore? It’s got to go beyond the name on the label. It’s just got to be fantastic clothes. The clothes have to have substance and the identity of what the brand is has to jump out at you.”

That’s what Atkin is looking for in all collections. “If we don’t get that, everything we purchase fades into a blandism on our floors.”

Of course, there were exceptions. Marc Jacobs and Rodarte were singled out by several retailers for their creativity. “Maria Cornejo, Alexander Wang, these are the new guard,” said Atkin. “A new generation is coming up quickly.”

Favorite collections: Michael Kors because he understands who his woman is. This season, he walked away from the uptight lady and gave us American sportswear in classic Bal Harbour colors and it worked. He also had wonderful scuba sexy dresses, which I think will bring in a new customer. Rodarte was fearless in their expression and whether you can wear it or not, I think it was art. They established themselves as American designers with a world-class point of view. Also, Jeremy Laing, a Canadian, did beautiful, billowing, simple clothing and worked with interesting under slips and openwork. Oscar de la Renta and Carolina Herrera gave us quality and security and consistency. At that price point, you want that. Marc Jacobs summed up where we are today. He showed so strongly what I call the DIY look. You pick your clothes to suit your personality. When Marc mixes up the plaids with the damasks, evening with day and grunge with Asia, he’s saying take these items and create your own style.

Trends that are keepers: Romantic bohemia, monochromatic designs with clean lines that give more longevity to clothes, transferring details from the athletic world to couture shapes, papery leather, a variety of pant silhouettes and fabrics with glazing and sheen and shine.

On Milan:

“Milan gave us exactly what we came here looking for — luxurious product with the right amount of ‘wow.’ In the world of apparel, designers gave us well-balanced collections with many choices for our customers’ varied lifestyles. Heritage houses in the luxury world are raising the bar and positioning themselves at the top end of luxury. The overlying trend was geometry versus femininity, and key elements included seasonless fabrics; details like fringe, ruffles and bows; transparency and cutouts, and polkadots. Key items include lightweight, easy toppers; strong-shouldered, man-tailored suits with ankle-bearing slim pants; longer vests; jumpsuits; soft flirty skirts; lightweight cardigans, and short, above-the-knee “fit and flare” shirt and halter dresses. Accessories took center stage this season — bigger and bolder than ever. Luxury brands are reinforcing the importance of the statement handbag and jewelry this season, as evident in bold earrings, necklaces and cuffs. The waist was emphasized by the use of dramatic belts. Clearly, the entire world of accessories has become an important extension of designer brands. There was a lack of innovation this season in footwear, as designers did not take forward their aggressive and extreme designs, except Fendi, which gave us a new trompe l’oeil stiletto wedge. My favorite collections were Jil Sander, Marni, Prada, Gucci and Dolce & Gabbana.”

She wasn’t quoted for Paris. Check out what other buyers are saying at the Fashion Spot – S/S 09 Buyers Reports