Miu Miu. How I love you for the latest film in your Women’s Tales series. I never expected to see a film with an all black cast by a black director associated with Miu Miu ever. As you can guess I’m pleasantly surprised to be wrong and totally in love with Miu Miu. The cast rocks Miu Miu designs and look smoking hot doing it. LOVE!
The Door, by Ava DuVernay, the fifth Miu Miu Women’s Tale, is a celebration of the transformative power of feminine bonds, and a symbolic story of life change.
The symbolic centre of The Door is the front entrance of the protagonist’s home. As she opens it to greet a friend in the powerfully framed opening scenes, she is shrouded in an oblique sadness. “In the film, characters arrive at the door of a friend in need, bringing something of themselves,” explains director DuVernay. “Eventually, we witness our heroine ready to walk through the door on her own. The door in the film represents a pathway to who we are.”
Clothing is also a symbol of renewal, each change of costume charting our heroine’s emergence from a chrysalis of sadness. In the final scenes, she takes off her ring, pulls on long, black leather gloves, and walks, transformed by the emotive power of the clothing, through the door.
Ava DuVernay was the first African-American woman to win the Best Director Prize at Sundance Film Festival, for her second feature, Middle of Nowhere, in 2012. The Door stars Gabrielle Union, Alfre Woodard, Emayatzy Corinealdi, Adepero Oduye and singer-songwriter Goapele.