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No wonder Chatelaine and I don’t have anything in common.

I can’t even get into the fashion section in this mag. It seems I’m not suppose to which is fair enough.

Like every editor-in-chief, Sanati is fond of referencing “the typical reader” or, in her case, “the typical contemporary Canadian woman.” Usually, this archetype is a fiction, a statistical composite distilled, as Sanati remarked, from “a deep amount of psychobiography, demography and market research.” Chatelaine, however, draws heavily on a real woman.

This is Robin (her last name is a secret), a white, blonde, pretty working mother, in her late-30s, who lives with her husband and two children, on a combined family income of about $80,000, in a suburb north-east of Toronto. Virtually everything about Robin is available in Chatelaine’s staff data base (and has been since at least early 2007). Rarely, Sanati remarked, does a day go by at Chatelaine headquarters without someone saying something like “Robin likes Patrick Dempsey” or “Robin would be interested in that” – and “that” could be a survey on the status of national day care, determining one’s correct bra size or pinpointing “miracle foods that fight disease.”

Robin functions as a sort of holy ghost for Chatelaine. “We don’t bring her to sit in on story meetings or that sort of thing,” Sanati said. “I’ve never contacted her in my life.” But she is, as Auden said of Freud, “a climate of opinion” for the magazine, someone who “represents millions of women who are Chatelaine readers.” Sanati pointed to a collage-like poster on her wall of pictures that Robin provided to the magazine, and images of things Robin likes. “That’s her,” she said. Her and pictures of her kids and her purse (“You’ll see it’s not a designer handbag”) and her clothes closet and her refrigerator and the cover of The Da Vinci Code (a novel Robin has read) and, well … you get the picture.”Editors don’t make decisions based on one person,” Sanati stressed. “But [Robin] provides a really useful focus for us … There’s always research going on on the reader and you’re not doing your job if you don’t have a sense of that.”

Robin and I would be at odds in all aspects of life. We wouldn’t be friends so no wonder I don’t like her magazine.

This quote was taken from and article in The Globe and Mail Chatelaine turns a new page, which is pretty interesting if you’ve been following the past drama at Chatelaine. The mag is a Canadian institution.

What does Barbara think?

Lanvin Ready to Wear - Fall Winter 2008 - 2009
I was reading the Buyers Report from WWD on the Fashion Spot and noticed that Barbara Atkin, vice president, fashion direction from Holt Renfrew talks about the collections from a retail perspective.

Milan

“Although Milan started as a somber season, it ended on a high note by offering a variety of beautiful and luxurious clothing with an infusion of newness. We saw a combination of the strict and subdued juxtaposed against a kaleidoscope of color, print and detail, all adding up to a decadent, luxurious bohemian style. We saw influences from the Seventies with long, lean silhouettes and covered-up clothes playing against the short and swinging. The ‘separates’ dressing that had its roots in the Seventies is making a strong return. We will be looking for luxurious coats; cropped or shapely jackets with accented shoulders; soft, folkloric dresses, blouses and skirts; cardigans and sweater coats; skinny and cropped pants, and man-tailored suits. We will be slightly increasing our budget over last year, as we believe our customer will continue to come to us looking for the new. Our favorite collections out of Milan were Prada, Marni, Gucci, Roberto Cavalli, Jil Sander and Pucci.”

Paris

“Paris is the grand finale to the season, reconfirming its position as incubator of new ideas; from bold, confident power women at YSL, Akris and Balenciaga, to the soft romance of light, seasonless clothes in a kaleidoscope of prints and materials as seen at Dries Van Noten, Chloé, Jean Paul Gaultier and Nina Ricci. Key elements include strong-shouldered jackets, enveloping coats, easy knits, feminine dresses and blouses that will soften the masculine tailoring, and hemlines — whether long, short or asymmetric — that add newness. Paris is the city where we hunt for new names and this season we will buy Commuun, Sacai and To Long Nam. The collections we loved were YSL, Balenciaga, Akris, Dries Van Noten, Nina Ricci and Lanvin.”

i want: Kidrobot Project MUNNY by Common Cloth

Kidrobot Project MUNNY Common Cloth
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There were a lot of good MUNNYs but I liked Common Cloth’s the best.

This one-of-a-kind custom-designed 8″ MUNNY was created exclusively for the Project MUNNY charity auction by Canadian designer, Common Cloth. Debuted at a super spectacular event at CiRCA during Toronto’s L’Oreal Fashion Week, this iconic doll figure from Kidrobot is being auctioned to raise money for War Child Canada.

Name and Description
“Black Star”
The inspiration for this MUNNY are the following three statements:

Simple is enough excess
Common is uncommon
Love uncomplicated

Runners Up
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Damzels in this Dress

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Greta Constantine

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Preloved

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Lucian Matis

And don’t forget the Karl Munny
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Prada Spring 2008 James Jean lookbook

I got a look book on my weekend trip to the friendly neighbourhood Prada store. I love the illustrations of James Jean that is all over the collection. It turns out there is a whole line of accessories too. My trusty scanner and I got to work. Note these are large images for your enjoyment. Click the thumbnails.

Prada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbookPrada Spring 2008 James Jean lookbook

Nathalie Atkinson from the National Post wrote and article on James Jean called Pure Jeanius. Another great article with a lot of images (many you have seen on I want – I got) is found at the comics212 site in a post called: PRADA IS JAMES JEAN: Comic artist covers spring collection.

This is the It bag of the season, even with all the calls about the end of it bags. NyMag has a post about getting your hands on the exclusive bag.

Please don’t hotlink!